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The backing musicians (with the addition of drummer Levon Helm) become known as The Band and are soon signed to Capitol Records.Ī copy of the tape ends up in the possession of one Chris Hillman… The real lyrics are soon filled in and the song eventually comes together, as do several others…Dylan’s manager Albert Grossman strategically “leaks” the final tape of fourteen finished demos (out of dozens recorded) to various artists and producers that autumn, and gets his adding machine ready to tally the song publishing windfall that’s sure to come. “Now look here, dear soup, you’d best feed the cats/The cats need feeding and you’re the one to do it/Get your hat, feed the cat/ You ain’t goin’ nowhere …” He leans into the microphone, and lets loose a stream of nonsense… The musicians, who were Dylan’s backing band on his last tour, try to anticipate where this brand-new composition is going. Hudson hits “record” on the tape recorder, and Dylan begins tentatively strumming. Not with a new tour, or album, but with a batch of original songs…intended to be given away to other artists. Now he’s ready to dip his foot in the water again, but he’s going to do it his way. A motorcycle accident sidelined him, and the enigmatic songwriter decided to use his injuries (the extent of which is shrouded in mystery) as an excuse to go off the grid for awhile. Dylan has not recorded or toured since the previous spring. At the center of the group of informally arranged musicians, with a short haircut and a 12-string acoustic, is Bob Dylan. Rick Danko and Robbie Robertson strap on a bass and electric guitar, respectively. Garth Hudson settles in behind his Lowrey organ, Richard Manuel parks himself on the piano bench, or maybe the drum stool. The intention is to make demo tapes, and the recording rig is simple - a Nagra tape recorder, an Ampex mixer, and three microphones (although many decades later this set-up will be hotly disputed by audiophiles on internet forums.) One by one, the band wanders in. The instruments and recording equipment are set up in the basement of the big pink rental house on a rural woodsy road, just as they had been for several weeks. With $40,000 raised from the project and a $100,000 loan from California Farmland Trust, a nonprofit that works alongside the USDA, Redford purchased the apiary for $120,000. Redford created a GoFundMe page and titled the project Black Hives Matter. The apiary’s original owner decided to sell. “I was in search of work and a buddy of mine literally came across a Craigslist ad for a beekeeper and sent it to me,” said Redford, who jumped in to work with the bees on his first day and fell in love with them instantly. He started working with bees in 2017, when he moved to Nevada City. Most importantly, he said, “It was coming from the earth,” which started with cannabis and then became beekeeping. Coming to California really helped him realize that there were different ways to make money and support himself. Redford had never had a job where he felt, “Whoa, I really like this” or “This is going to work out for me forever,” until he started working in agriculture and farming. “It showed me that I could do things outside of societal norms.” “Working in cannabis supported me in this really beautiful way and brought a lot of beauty into my life,” he said. With this newfound knowledge and passion for sustainable agriculture, Redford was able to pursue a career in cannabis with a holistic approach and began to grow legally in California, where he otherwise would have been jailed in Florida. He earned a scholarship for Earth Activist Training, which is a perma-culture design course that teaches you a lot about sustainability and agriculture. It started when he began volunteering in gardens and attending free programs that taught him about agriculture and farming. While living in the Bay Area, Redford developed a new passion: perma-culture, otherwise known as sustainable agriculture. He was slightly shaken up but proceeded to talk through the pain. “They must be in a mood today,” he said, as he took a second to gather himself and then walked over to his car to use the mirror to pull the stinger out of his head. While explaining his love affair with bees - calling them “amazing, magical creatures” and then comparing them to supercomputers due to their complex operating systems and inherent intelligence - Cameron Redford suddenly was stung in the forehead by one of his many bees located nearby. There are 15 more locations like this - approximately 170 hives and more than 4 million bees - spread out across 200 miles of land, from Nevada City to the borders of Nevada. The hives are stashed away behind surrounding residences off a dirt road that leads down a path that would be invisible to an unsuspecting traveler, barely wide enough to drive a car through.Īnywhere from 15 to 20 beehives occupy an area of about 20-by-20 feet, surrounded by an electrical fence set up specifically to thwart bears. Therefore if you are a new teamspeak player you have to play the single-player and get the hang of it first before considering the multiplayer mode and renting a server. 7 Days to Die can be hard and frustrating! Or what else do you expect it's a post-apocalyptic survival game. This the sole point of getting a teamspeak server in the first place. That's precisely what the game is about surviving.īelow are some of the factors to consider before renting a teamspeak server host. Though there is no real objective except surviving at this moment. 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One sample of leslie chorale and one at leslie tremolo (well, multiple samples of each across the keyboard range or the tremolo speeds would vary from pedestrian to mickey mouse fast). The preset JS sounds are sampled Hammond - I know the people who did the sampling and programming. Nevermind, found the original thread: It was published by EasySounds They then released a new version, which relied on the DSP to switch rotary speeds, but as was completely wiped and rebooted, I don't know where to get it. Believe it or not, in a mix (ie not just the organ) you didn't even hear the difference obviously you could hear it playing *only* the organ. There was also a live organ pack that did a really good job available for Tyros/PSR-S/Genos, however it wasn't an actual slowdown or speedup of the rotary speakers it was literally sampled at low speed/high speed, and then you cross faded between the 2 samples using the mod wheel. And then I tell them if they *have* to have a fantastic Hammond sound, get a Korg Cx3, Hammond XK1 (& later), Nord Stage/Electro Soneg: correct! If any customer asks me, I *do* tell them that the weak point on the Genos is the Hammond sounds (the Pipe organs, on the other hand, are better than anyone else's). It is what it is for now and let's just freaking play! Giving Yamaha user feedback is all well and good. DUAL ROT BRIGHT and DUAL ROT WARM are my go-to's. I agree with Gary - the newer sim is not necessarily the better sim. On some registrations, I hear this high frequency swirling stuff that drives me nuts and I'm back to using the in-built Yamaha rotary sim. K and company didn't get the right musician feedback during development? Who knows? They have the math and engineering chops, for sure.Īs to Lester K (or G), yeah, I got one of them. YC is a whole 'nother bird and makes extensive use of modeling, not just sampling. (Without standing on your head.) Like many other voices, Montage/MODX organs are programmed and voiced differently than Genos/PSR organ voices. The Montage and MODX effect architecture does allow two insert effects per voice, so one can at least stack tube amp sim in front of rotary speaker simulation. Genos and other PSRs share the same B3 waveforms and rotary speaker algorithms as Montage and MODX. So, it's not like Yamaha isn't getting or hearing the comments. The YC, Montage and MODX forums are full of whinging. If the task was so easy, anybody could and would have done it by now. Modeling a rotary speaker is a little like rocket science. K was responsible for VL synthesis, VCM, Neve preamp simulation and more. For the YC61, Yamaha put the right people on the job - Toshifumi Kunimoto (Dr. Not that I want to defend Yamaha too much because I've been after them for years about better rotary speaker simulation. Just catching up on this thread and there are so many good comments. The first game, Dragon Warrior, in the Famicom-based RPG series, was released in 1986 and would eventually sell 1.5 million copies in Japan, establishing Dragon Quest as the company's most profitable franchise. Key members of the developer's staff consisted of director Koichi Nakamura, writer Yuji Horii, artist Akira Toriyama, and composer Koichi Sugiyama, among others. In the 1980s, in a partnership with developers Chunsoft, the company began publishing the Dragon Quest series of console games. Enix focused on publishing games, often by companies who exclusively partnered with the company. Square Enix is headquartered at the Shinjuku Eastside Square Building in Shinjuku, Tokyo, and has over 5,000 employees worldwide through its base operations and subsidiaries.Ĭorporate history Origins and pre-merger (1975–2003) Enix (1975–2003) Įnix was founded on September 22, 1975, as Eidansha Boshu Service Center by Japanese architect-turned-entrepreneur Yasuhiro Fukushima. 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As part of the merger, former Square president Yoichi Wada was appointed the president of the new corporation, while former Enix president Keiji Honda was named vice president. At the time, 80% of Square Enix staff were made up of former Square employees. Each share of Square's common stock was exchanged for 0.85 shares of Enix's common stock. was formed in April 2003 from a merger between Square and Enix, with the latter as the surviving company. Outside of video game publishing and development, it is also in the business of merchandise, arcade facilities, and manga publication under its Gangan Comics brand. It releases role-playing game franchises, such as Final Fantasy, Dragon Quest, and Kingdom Hearts, among numerous others. is a Japanese multinational holding company, video game production enterprise and entertainment conglomerate. Like Mist Falls, Dalton Falls is a two-tiered waterfall with a total height of 350 feet - not as tall as nearby Mist Falls at 520 feet, but quite tall compared to other waterfalls in the Gorge. The photo below is from state aerial surveys taken after the Eagle Creek Fire in 2018, and shows both the familiar Mist Falls and nearby “Dalton Falls”, just to the west. This is where the confusion begins, as the stream in this canyon does have several small cascades, but nothing that could have been easily seen from below, along the old Columbia River Highway, which seems to argue against this falls being the real “Dalton Falls” Meanwhile, one of the lesser-known waterfalls in what I am calling the “Heaven and Hell” section of the Gorge is quite prominent, and to many waterfall admirers is the rightful “Dalton Falls”. But tucked between Coopey Falls and Mist Falls on this old map is “Dalton Falls”, shown to be flowing from a prominent canyon on the east flank of Angels Rest (then “Fort Rock”). Multnomah, Mist Falls and Coopey Falls are also shown, and still carry their original names (Mist Falls is one of the few landmarks in the Gorge that still carries a name given by the Lewis and Clark expedition). But nobody seems to agree which waterfall is the real “Dalton”.Ī closer look at a 1916 touring map (below) published when the original scenic highway opened in the Gorge shows this area in detail, including a few name changes: “Fort Rock” is now Angels Rest and the domed butte at the top center-right edge is Devils Rest, which forms the headwaters of well-known Wahkeena Falls - then known as “Gordon Falls”. At least one of them, Dalton Falls, is named. Already new plants are thriving and old trees are rotting, while insects, animals and fungi are all playing their parts in the cycle of life.Hidden in plain sight near the west entrance to the Columbia River Gorge are a string of waterfalls that flow from the slopes of Devils Rest and Angels Rest, yet are virtually unknown. Our hearts might still ache in the wake of the fire, but the forest has long since moved on. Nature doesn't mourn what was lost – it's our memories of that loss that linger. At the bottom of the trail, soft and squishy with mud, moss still clings to rocky hills and ferns still spring forth from the depths of the earth. Watching it explode into flames last year was devastating, and since then many of us have been itching to get back, to see what became of our holy land.Īngel's Rest is a disheartening reminder of the destructive power of fire, but also a reminder of the resilience of nature.Īs you head back down the trail through the forest of snags, past newly revealed views of the gorge, you quickly return to a familiar green landscape. Where you expect to see a comforting blanket of green, you'll find nothing but a patchwork of black and brown – the gray of naked deciduous trees offering the lone sense of natural order.įor many of us in the Pacific Northwest, the Columbia River Gorge is indeed a temple, a place we go to worship and connect with something bigger than us. Standing in communion with the nature that surrounds, swallows, holds you in place, you can truly feel the power of the land.īut glancing down to the forest below, the heart can't help but sink just a little at the site of burned trunks and barren land. It remains a place where you can soak in the majesty of the natural setting, where you can sit and rest in awe. This view, at least, is the same as it was before the fire. Here, hikers disperse along the wide bluff, rocky and covered in scrubby brush, where a jaunt to any edge offers an incredible view of the Columbia River rolling serenely underfoot through the gorge. Some light clambering is required to reach the very top, but it's worth the extra effort. The hike up to Angel's Rest feels something like a pilgrimage to the ruins of a temple, the land still sacred but indelibly scarred. The terrain toward the top is rock and mud, and can be hard on your feet as you walk. Small deciduous trees, now bare after fall, fill gaps alongside patches of woody brush.Īs you follow the switchbacks to the top, look down and you can spy fellow hikers as they climb, exposed through branches that barely offer cover. It's as if they were placed there by hand – or rather, as if the flames should have set them at odd angles, not left their remains so rooted in place. Here, at the edge of the cliff overlooking the gorge, blackened snags stick up unnervingly straight. If your skin has more pink to it (the veins on your wrist appear blue) you’ll want to choose a “C” (cool) shade. In general, Caucasians will fall somewhere in the 10-20 shade range, Latinos in the 30-40 shade range, and African Americans in the 40-50 shade range. Don’t be discouraged if you don’t get it right the first time-this method is all about trial and error. 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